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[Taylor Swift]. Act as a high-end sports graphic designer creating a conceptual tribute poster. The style is a complex "dual exposure photo-grid composite" with mixed-media textures. CENTRAL STRUCTURE (THE VESSEL): The central focus is a large-scale, high-contrast black and white portrait silhouette of [PERSON NAME]. This main portrait acts as the container. THE GRID FILL & TEXTURES (MIXED MEDIA): The interior of the silhouette is populated by a dense "photo mosaic grid" of action shots from the person's career. CRITICAL TEXTURE INSTRUCTION: Do not just paste flat photos. Apply artistic textures to various grid cells to create a tactile, collage feel. Use effects like: Halftone Dots: Comic-book style raster patterns on some cells. Fabric/Embroidery: Subtle thread or canvas textures suggesting a jersey or patch. Film Grain: Heavy noise on specific high-contrast action shots. COLOR STRATEGY: The base is Monochrome B&W. Use selective color overlays (relevant to the team/flag) ONLY on specific grid cells to create a rhythm. TYPOGRAPHY & BRANDING (STRICT MICRO-SCALING): Top Left (The Name): Write "[PERSON NAME]" strictly using the font Inter Semibold. Kerning: Tight negative kerning (-4%). Size: SMALL and discreet. It must occupy MAXIMUM 20% of the canvas width. Do NOT make it large or loud. Top Right (The Symbol): Place the primary logo (Team/Brand/Flag). Size: VERY SMALL. It must occupy MAXIMUM 10% of the canvas width. COMPOSITION & BACKGROUND: Background: Off-white or light grey with a visible high-quality paper or concrete texture. It should not be flat digital white. Alignment: Center the figure perfectly. Maintain wide negative space around the object.
A vertical, flat digital mixed media portrait artwork featuring a beautiful woman from the reference image. The image fills the entire frame directly. 1. The Center (The Finished Reality - Impasto Oil): A rich, heavy impasto oil painting portrait of a beautiful woman (focus on face and upper body). The brushwork is thick, expressive, and textured, creating a 3D relief effect. The colors are vibrant and lush, with dramatic lighting highlighting her features, hair, and skin texture. It looks like a completed, masterful painting. 2. The Surroundings (The Draft - Pencil Sketch on Rough Paper): The background and the area surrounding the central oil painting is a raw, monochromatic graphite pencil sketch (or charcoal drawing) on heavy-grain, coarse, matte sketch paper. This area shows loose outlines, cross-hatching shading, draft lines, and construction marks of the same woman's form, giving an unfinished, sketchy feel. The paper texture is rough and tactile. 3. The Boundary (The Collision): The transition between the vibrant thick oil paint and the raw grey pencil sketch is jagged, rough, loose, and organic. It looks like the oil painting is emerging from or painted roughly over the sketch draft. Thick paint blobs, smudges, and unfinished brushstrokes bleed onto the raw pencil areas. realistic skin texture, smooth paper, glossy, shiny, flat texture, interior, wall, frame, bright white background, clean edges, colored pencils in background
"Collage" art. Vintage magazine cutouts. Mixed media.
