
Reference Images:
{ "intent": "a hyper-realistic photograph of a custom physical floor mirror with a 'robot test' CAPTCHA interface, capturing a mirror selfie. The physical mirror is placed against a plain wall, while its reflection shows a furnished studio.", "frame": { "aspect_ratio": "4:5", "composition": "A full frontal photograph centered precisely on the large, leaning floor mirror. The mirror's white frame and the physical 4x4 grid structure are the dominant compositional elements.", "style_mode": "documentary_realism" }, "subject": { "identity": "user input image.", "wardrobe": "user input image.", "pose": "Standing directly in front of the mirror, holding a smartphone up at chest level to take a mirror selfie." }, "environment": { "location_physical": "The large floor mirror is positioned leaning against a plain, neutrally painted plaster wall.", "background_reflection": "In contrast to the physical placement, the reflection within the mirror reveals a rich, lived-in studio space behind the subject. Visible elements in the reflection include a warm wooden door frame, a window with venetian blinds casting linear shadows, and a wooden console table with small objects like books.", "flooring": "Polished concrete flooring. In the reflection, this is softened by a large, textured modern area rug with a subtle geometric pattern positioned under the subject.", "props": "The large physical floor mirror has a thick white outer frame. The top blue header bar contains white text: 'Select all squares that show you'. Below that, smaller white text: 'If there are none, click skip'. The mirror surface is strictly divided into a 4x4 grid consisting of sixteen perfectly equal square panels by thin, narrow physical raised white bars that overlay the continuous glass sheet. The bottom white bar has a blue rectangular button on the right that says 'SKIP', and small icons (refresh, audio, info) on the left.", "glass_materiality": "High-fidelity real glass exhibiting subtle physical imperfections such as faint dust particles or very slight smudges. Crucially, the narrow raised white grid bars cast distinct, realistic shadows onto the mirror glass behind them, emphasizing the physical separation between the grid and the deep reflection." }, "lighting": { "type": "Natural daylight.", "direction": "Coming from the window visible in the reflection, creating volume and dimension in the reflected room and casting real shadows from the mirror frame onto the physical wall behind it.", "color_temperature": "5500K (daylight).", "contrast": "Moderate contrast.", "interaction": "The light creates realistic reflections on the glossy white frame and slight specular highlights on the glass surface." }, "camera": { "sensor_format": "Full-frame digital sensor.", "lens": "35mm wide-angle lens.", "aperture_depth_of_field": "f/8, ensuring sharp focus across the entire mirror frame, the narrow physical white grid bars, the subject, and the background furniture in the reflection.", "shutter_speed": "1/125s.", "iso": "200.", "camera_position": "Eye-level with the subject, directly in front of the mirror, capturing the full frontal view." }, "color_grade": { "palette": "Neutral background tones anchored by the white frame, plain wall, and concrete floor, punctuated by the vivid blue of the header bar, the warmth of the reflected wood furniture, and the colors of the subject's clothing.", "saturation": "Natural.", "tone_mapping": "Standard." }, "negative": { "style": "No digital illustration, no painting, no abstract.", "content": "No distortion, no text other than what is on the mirror frame, no beveled/cut glass grid, no flat printed grid lines (must be narrow physical raised bars), no clutter behind the physical mirror frame." } }

An isometric view of a tiny village where all the houses are made of melting colored candle wax. The chimneys are candle wicks with small, gentle flames. The streets are rivers of melted wax. The scene is lit entirely by the warm glow of the houses against a dark background.

Editorial portrait of elderly fisherman. 85mm lens, f/1.8 aperture for shallow depth of field. Focus on skin texture. Soft overcast light.

do this for [Iron Man] <instructions>Subject: An open graphic novel. A superhero character is doing his signature move through a page in 3D, with the right sound effect bubbles floating in the air. Style: Pop art mixed with character appropriate style, comic book cel-shading, vibrant primary colors, halftone patterns. Environment: A messy [audience appropriate] desk with action figures and soda cans related to the this super hero's universe. Lighting: Bright, flat, high-key lighting typical of comic book coloring mixed with character appropriate colors. Composition: Dynamic, foreshortened perspective emphasizing the signature move coming toward the viewer.</instructions>

Create a portrait of a face formed within a wisp of white smoke against a black background. The edges should be undefined and drifting.

A giant, translucent red gummy bear. Inside its body, we can see a cute skeleton made of white opaque sugar candy. Light shines through the gummy body, casting red caustics on the floor. 8k resolution, subsurface scattering.

Generate an aerial architectural visualization of a private residence designed in the Brutalist style. The structure features heavy, raw concrete geometries with deep shadows and overhangs. It is situated in a stark, rocky landscape. The lighting is overcast and diffused, emphasizing the rough texture and weight of the concrete material. The composition should highlight the interplay between the massive building forms and the rugged environment.

2×2 grid of iconic sci-fi literature, clean high-end studio lighting, sharp micro-detail, consistent camera angle, shallow depth of field. Panel A: [Dune] represented as a kinetic sculpture made from desert sand, spice crystals, and wind-carved metal, emerging from an open book. Miniature sandworms coil through the pages, with Paul Atreides silhouettes and Arrakis symbols integrated into the motion. Panel B: [Neuromancer] represented as a kinetic sculpture built from neon wires, chrome circuitry, and holographic data streams inside an open book. Cyberspace grids, floating code, and console-cowboy figures pulse with electric motion. Panel C: [The Left Hand of Darkness] represented as a kinetic sculpture crafted from ice, translucent crystal, and shifting light, rising from an open book. Androgynous figures, frozen landscapes, and orbital motifs subtly rotate and interlock. Panel D: [Foundation] represented as a kinetic sculpture made from polished stone, brass orreries, and mathematical glyphs inside an open book. Galactic structures, psychohistory curves, and collapsing empires move in precise, clockwork rhythms. Book titles displayed neatly underneath each panel.

A cute 3D character design of a medieval knight, but the armor is made of red strawberry skin with seed textures. The helmet has a green leaf plume. He holds a toothpick sword. "Chibi" proportions (big head, small body). Lighting: Bright, soft "supermarket" lighting to highlight the juicy texture.