Winter Forest Portrait

Converts portraits into cute, C4D-style "Pop Mart" toy characters.

[a neon-armored angel avatar] rendered in a Digital Dreamland, where virtual reality meets pastel fantasies. Use glitch effects and soft [lavender haze] and [soft aqua] tones to create an immersive experience.

Subject: A photorealistic group portrait featuring [Image Reference of User] positioned strictly in the center, sandwiched tightly between Judy Hopps (wearing her police uniform) and Nick Wilde (wearing his green shirt and tie with a trademark smirk). Action & Composition: The characters are posed for a high-fashion magazine cover following the rule of thirds, with faces in the upper section. Location & Atmosphere: Set inside a dark cinema hall. Behind them, a massive movie screen displays a slightly out-of-focus (bokeh) animated scene of a fox and rabbit playfully wrestling. Lighting: The background screen glows, casting dramatic teal and orange cinematic lighting onto the characters' faces, highlighting sharp focus on their eyes and highly detailed fur textures. Typography: The massive, bold, 3D metallic title "ZOOTOPIA" is anchored prominently at the very bottom center, rendered in a silver gradient with an orange outline to match the official logo, unobstructed by the characters. Style & Quality: Cinematic movie poster aesthetic, 8K resolution, masterpiece quality, photorealistic.

Initiate PersonaFusion-vX.03 protocol: Use the exact facial identity taken from the attached reference image (or from the user’s provided face) with zero alteration. A hyper-realistic 1980s analog photograph captures a moment of candid, cozy, and personal nostalgia, rendered with the distinct aesthetic of a 1980s point-and-shoot camera. The lighting is harsh and direct from an on-camera flash, illuminating the subject's skin with a slight bloom, creating soft-edged shadows in the background, and a subtle red-eye effect. The colors are warm with a characteristic yellow cast, typical of indoor Kodak Gold 400 film, displaying visible fine organic grain throughout. This 1980s film photo has been aged, showing a distinct Y2K photo look as if it was scanned on a basic digital camera in the early 2000s, now covered in a layer of dust and fine scratches, giving it a truly vintage, stored-away feel. The woman stands confidently with her hands on her hips, her voluminous, permed hair heavily teased at the crown with big, feathered bangs swept to the side, all stiff with hairspray sheen. Her face is subtly made up with neatly defined but natural-looking eyebrows, a gentle sweep of rosy blush on the cheekbones, softly applied taupe eyeshadow defining her eyes, and natural-looking muted rose lipstick with a satin finish. She wears an oversized, stone-washed denim jacket with broad, padded shoulders and gleaming copper buttons, over a crisp, boxy white cotton t-shirt featuring a subtle pastel geometric print. Her high-waisted, tapered acid-wash denim jeans are cinched with a wide white leather belt and an ornate silver buckle. The background reveals a cluttered 1980s bedroom, featuring a wood-paneled wall partially obscured by faded, iconic band posters for Bon Jovi and Madonna, a bulky cream-colored CRT television sitting on a cheap particle board stand, surrounded by VHS tapes and a classic boombox, and shelves filled with neatly stacked yet slightly askew vinyl records. The overall color palette blends muted, warm earth tones with a hint of vibrant neon from subtle room accents, all contributing to a deeply evocative, memory-like image. The image has the distinct aesthetic of a 1980s point-and-shoot camera with an on-camera flash. This creates direct, slightly harsh lighting on the subject with soft-edged shadows in the background. The colors are warm, with a slight yellow cast, typical of indoor film photography from the era. The mood is candid, cozy, and personal. The image is shot with a flash-lit camera, creating harsh lighting that illuminates the subject's skin. The overall aesthetic is that of a digital camera from the year 2000, with a distinct Y2K photo look. The image is covered in a layer of dust and fine scratches, giving it an aged, vintage look as if it has been stored for a long time.

Editorial 3x3 photo grid in a clean soft beige studio. Character (matches reference 100%) wearing lightweight dark navy shirt, ivory trousers, barefoot for raw simplicity. Lighting: large diffused key light directly front-right, silver reflector left, subtle rim from top. Shots to include: 1. extreme close-up of lips + cheekbone with blurred hand partially covering (85mm, f/1.8, razor-thin DOF); 2. tight crop on eyes looking into lens with reflection of light strip visible (85mm, f/2.0); 3. black & white close portrait resting chin on fist, face filling frame (50mm, f/2.2); 4. over-shoulder shot, blurred foreground fabric curtain framing half face (85mm, f/2.0); 5. very close frontal with hands overlapping face, light streak across eyes (50mm, f/2.5); 6. tight angled portrait showing hair falling into eyes, soft-focus background (85mm, f/2.2); 7. crop of hands touching jawline, eyes cropped out (50mm, f/3.2, detail-focused); 8. half-body seated sideways on low cube, head turned sharply away, blurred foreground (35mm, f/ 4.5); 9. intense close-up of profile with single tear-like water droplet, cinematic light slice across (85mm, f/ 1.9). Angles: mostly tight headshots with slight high/low tilts, maintaining variation. Capture RAW, professional muted grade, smooth tonal contrast, subtle cinematic grain. Mood: intimate, introspective, character-led editorial minimalism with delicate use of fabric as prop.

Generate a moody portrait of a person crying. A single tear is rolling down their cheek. The lighting is dark and cool, focusing strictly on the emotion in the eyes.

Create a fantasy portrait of an Elven princess with long silver hair and pointed ears. She is wearing a tiara made of silver leaves. The lighting is soft and ethereal, filtering through a magical forest canopy.

Create a realistic a close-up, cinematic portrait of a young woman (preserve this given face 100%) with a messy, dark hair and natural soft bangs, looking directly at the camera with a calm expression. She is wearing round, gold wire-rimmed glasses and a black knit sweater. The shot is taken at night with an extremely shallow depth of field (DoF), creating a background of large, out-of-focus, vibrant bokeh lights in warm colors like red, orange, and yellow