
Reference Images:
A hyper-realistic 8K cinematic studio scene. A person, using an uploaded face as reference, pops a champagne bottle. The spray freezes mid-air forming “WELCOME 2026”. High-speed photography style lighting captures liquid motion and sparkle.

Shot on a Canon R6 with a 50mm at f/2.8, mid-profile framing, low shutter. Lighting: flat daylight with smoke haze. Color tone inspired by Children of Men muted greys, dirty whites. Subject: Gen-Z male holding a placard down by his side, face sharp, pores visible. Crowd: protesters chanting, waving signs blurred into abstract motion. Emotion: quiet conviction. Aesthetic: cinematic realism. Post: physical blur realism, no glitches. --ar 4:5 --raw

Jazz singer caught in a Film Noir Spotlight. The scene is dominated by shadows, with a single, harsh light source revealing only a portion of the subject. Use emerald green and gold to tint the light, adding a touch of drama and intrigue --ar 3:2 --v 7.0

Produce a neo-noir, cinematic image of a detective standing on a rain-slicked city street at night. The scene is lit primarily by the reflection of red and blue neon signs in the puddles on the asphalt. The detective wears a trench coat that is soaked with rain. The atmosphere is heavy with mist and fog, obscuring the tops of the buildings. The mood is somber and tense. Use a cinematic color grade with crushed blacks and teal shadows.

Generate a realistic oil painting of a male lion resting in the African Savannah. The style should lean towards Academic Realism. The lion's mane is rendered with fine, detailed brushwork, while the grassy background is treated with looser, painterly strokes to create depth of field. The lighting captures the warm, golden hour sun, highlighting the lion's regal expression.

A "Pop Mart" style figurine of a futuristic racer girl. Oversized head, large expressive eyes. She is wearing a bulky, neon-green racing helmet with cat ears. Material: Premium matte vinyl skin, glossy plastic armor. Pose: Dynamic floating mid-jump. Background: A blurred gradient of sunset orange and purple.

An expert industrial product designer’s presentation board for the original iPhone — early 2007 minimalist digital revolution, featuring black-and-white 2D technical drawings with annotations and dimensions on the left, an exploded axonometric diagram revealing the glass touchscreen, aluminum chassis, battery module, logic board, and camera unit in the center, and a photorealistic 3D render of the iPhone in a clean modern studio environment with a reflective surface on the right, with soft diffused lighting, subtle screen glow, and pristine reflections; visual style transitions from clinical monochrome engineering schematics to cool whites and soft tech-blue gradients, clean grid layout, museum-grade industrial design presentation, ultra-detailed cinematic realism, title block reading “iPhone — 2007 · Reinventing the Phone”.

A vintage filament lightbulb hanging from a ceiling. Inside the glass bulb, instead of a filament, there is a miniature coral reef with tiny neon fish swimming. The light comes from bioluminescent jellyfish floating inside the bulb. The glass has slight condensation. Background is a dark, cozy library out of focus.

A complex V8 car engine where all the metal parts are replaced by dripping golden honeycomb and beeswax. Bees are crawling on the pistons. Amber lighting, macro detail, sticky texture visualization.