Cyberpunk Code Portrait

A knolling for the Avengers

A portrait inspired by 1960s psychedelic rock posters. The subject wears tie-dye. The image is shot with a fisheye lens. The colors are solarized (inverted colors) in purple and orange.

A macro-photography style 3D scene inspired by Nintendo's Pikmin. Subject: Hundreds of Red, Blue, and Yellow Pikmin carrying giant blueberries and batteries to stack them into a rising line graph structure. Environment: A lush, mossy forest floor with oversized clover leaves and dewdrops. Lighting: Dappled sunlight filtering through the canopy, creating a soft, dreamy bokeh background. Materials: Glossy fruit textures, plant matter, wet soil. Composition: Low-angle view emphasizing the scale of the small creatures against the massive data points. Mood: Diligent, nature-centric, cooperative.

London Underground map style (Harry Beck). Bright lines, white background, clear nodes.

Create an intense portrait of a man screaming in rage. The veins in his neck are visible and his face is red. Use a high-contrast, gritty style.

Patent drawing: Lightbulb. Black ink on parchment. Hatching. Label "Fig. 1".

A vertical, flat digital mixed media portrait artwork featuring a beautiful woman from the reference image. The image fills the entire frame directly. 1. The Center (The Finished Reality - Impasto Oil): A rich, heavy impasto oil painting portrait of a beautiful woman (focus on face and upper body). The brushwork is thick, expressive, and textured, creating a 3D relief effect. The colors are vibrant and lush, with dramatic lighting highlighting her features, hair, and skin texture. It looks like a completed, masterful painting. 2. The Surroundings (The Draft - Pencil Sketch on Rough Paper): The background and the area surrounding the central oil painting is a raw, monochromatic graphite pencil sketch (or charcoal drawing) on heavy-grain, coarse, matte sketch paper. This area shows loose outlines, cross-hatching shading, draft lines, and construction marks of the same woman's form, giving an unfinished, sketchy feel. The paper texture is rough and tactile. 3. The Boundary (The Collision): The transition between the vibrant thick oil paint and the raw grey pencil sketch is jagged, rough, loose, and organic. It looks like the oil painting is emerging from or painted roughly over the sketch draft. Thick paint blobs, smudges, and unfinished brushstrokes bleed onto the raw pencil areas. realistic skin texture, smooth paper, glossy, shiny, flat texture, interior, wall, frame, bright white background, clean edges, colored pencils in background

Create a photorealistic, vertical portrait of a young woman standing on a balcony in Santorini at sunset. The warm golden light hits her face from the side, highlighting her natural skin texture. The background features blurred white buildings and the deep blue Aegean Sea. She is looking away from the camera, smiling softly, capturing a candid, carefree travel moment.