
hyperrealistic female portrait of a female character standing in a completely black background. Lighting: use a narrow beam spotlight focused only on the center of the face and mouth. The edges of the light must be sharp and dramatic. All areas outside the spotlight should fall quickly into deep darkness (high falloff shadow), almost blending into the black background. Not soft lighting. Hair: long dark hair, messy strands falling over the face. The lower parts of the hair should fade into the shadows. Pose & Expression: She is gently and provocatively biting her lower lip, eyes staring intensely at the camera. One hand is reaching up to touch her neck. Clothing: A black spaghetti strap top; one strap has slipped down off her shoulder, but the clothing mostly disappears into the darkness with minimal detail. Overall tone: dark, moody, dramatic, mysterious, sexy. High-contrast only in the lit portion.

A colossal, antique rotary telephone floating in deep space, its coiled cord stretching to connect with a distant spiral galaxy, cosmic dust, Hubble telescope style, stunning detail.

A vertical, flat digital mixed media portrait artwork featuring a beautiful woman from the reference image. The image fills the entire frame directly. 1. The Center (The Finished Reality - Impasto Oil): A rich, heavy impasto oil painting portrait of a beautiful woman (focus on face and upper body). The brushwork is thick, expressive, and textured, creating a 3D relief effect. The colors are vibrant and lush, with dramatic lighting highlighting her features, hair, and skin texture. It looks like a completed, masterful painting. 2. The Surroundings (The Draft - Pencil Sketch on Rough Paper): The background and the area surrounding the central oil painting is a raw, monochromatic graphite pencil sketch (or charcoal drawing) on heavy-grain, coarse, matte sketch paper. This area shows loose outlines, cross-hatching shading, draft lines, and construction marks of the same woman's form, giving an unfinished, sketchy feel. The paper texture is rough and tactile. 3. The Boundary (The Collision): The transition between the vibrant thick oil paint and the raw grey pencil sketch is jagged, rough, loose, and organic. It looks like the oil painting is emerging from or painted roughly over the sketch draft. Thick paint blobs, smudges, and unfinished brushstrokes bleed onto the raw pencil areas. realistic skin texture, smooth paper, glossy, shiny, flat texture, interior, wall, frame, bright white background, clean edges, colored pencils in background

A surreal, dark fantasy boss battle scene. A massive creature made of falling stars and crystalline rock floats in a void-like arena. The creature has multiple limbs and gravity-defying geometry. A small warrior stands in the foreground facing it. The colors are deep purple, blue, and cosmic black.

A fantasy portrait of an elven archer perched in a giant ancient tree. They have pointed ears, long silver hair, and wear leather armor with leaf motifs. They are drawing a glowing magical bow. The lighting is bioluminescent, coming from glowing flora in the forest.

Create a 3D 'knolling' illustration. Various tech gadgets (laptop, phone, stylus) and office supplies are arranged in a perfect grid at 90-degree angles. The background is a smooth gradient from blue to white. The lighting is flat, shadowless studio lighting, typical of clean product photography. The perspective is top-down (orthographic).

High-fashion: Model with silver foil makeup. Sharp hard lighting casting distinct shadows.

A 1970s astronaut sitting alone at a fully set Victorian dining table on the deep ocean floor, illuminated by a single glowing lamp, bioluminescent deep-sea environment, extreme isolation, octane render.

A highly detailed tilt-shift photography of [Legoland California Resort], captured from a high vantage point at [the Miniland USA section depicting a vibrant New York City street during the daytime], transforming the iconic structure and surrounding landscape into a whimsical miniature toy model scene, with pinpoint sharp focus on the central elements like the brick-built skyscrapers, tiny Lego figures, and miniature cars on the street, gradually blurring into soft bokeh towards the edges and foreground/background, with the blurred parts exhibiting the lemon-shaped bokeh aperture etching effect from last century lenses, for an exaggerated shallow depth of field effect; vibrant color palette featuring [primary reds, bold yellows, and clean sky blues], intricate textures on surfaces such as the smooth plastic bricks, tiny painted figures, and glossy water features, subtle atmospheric haze or mist adding depth and realism, photorealistic rendering with high dynamic range lighting casting long dramatic shadows, ultra-high resolution 8K, cinematic composition emphasizing symmetry and leading lines, in the style of professional architectural miniature photography.