
Reference Images:
Dramatic low-angle portrait of a young man (Use image uploaded as reference) eyes, facing upwards, illuminated by a single, sharp spotlight from above. Floating just above his head is a stylized, tarnished silver or gold crown, also catching the light. He wears a textured, dark brown garment with metallic embellishments around the shoulders and neck. The background is a dark teal or muted blue, with subtle gradients and a slightly smoky atmosphere. The lighting emphasizes the textures and the upward gaze, creating a sense of reverence, aspiration, or inner reflection. Studio lighting, high contrast, cinematic mood, symbolic imagery, detailed textures. 8k resolution.

Close-up, high-detail portrait of an individual (face shape exactly the same as reference) rendered in a vectorized style with flat, saturated color blocking. The individual is in profile, looking right, with a serious expression. They wear small, round black sunglasses pushed down to reveal the eye. Outfit is a dark forest green/teal high-collared jacket. Lighting is bright, clean, and dramatic, originating from the front-right, creating sharp, well-defined shadows. Solid deep burgundy-red background instead of teal. High resolution, extreme detail, vertical orientation, clear edges.

A black and white portrait inspired by WPA photographers (like Dorothea Lange). The subject is a depression-era mother holding a child. Her face is worried. They are standing in front of a wooden shack. The sky is white and empty.

A perfectly symmetrical, center-framed portrait of a quirky librarian wearing a beret and oversized vintage glasses. The color palette is strictly pastel pink, mint green, and mustard yellow. The lighting is flat and shadowless (high key). The subject stares deadpan directly into the camera lens.

A portrait in the style of 17th-century Baroque painting. The subject is a king in velvet robes and gold armor. The background is a dark, swirling storm. A single beam of divine light illuminates the face. The composition is dynamic and diagonal.

**Key requirement: the faces of the two characters on both sides must be exactly identical to the source image.** **Left panel:** Wearing a beige sweater with a reindeer motif and a Santa hat, body leaning to the right. Holding a gingerbread cookie with one bite taken out, reaching across the central dividing line as if trying to hand it over, eyes looking toward the right side. **Right panel:** Wearing a blue sweater with a snowflake pattern, body leaning to the left, mouth open, reaching across the dividing line to receive the cookie. **Props:** A metal cookie tin on the floor with scattered icing around it. **Background:** Bright teal studio backdrop. **Lighting / Style:** Flat lighting, bright, playful, with a strong sense of storytelling.

Generate a lifestyle portrait of a man relaxing on a vintage wooden yacht. He is wearing a white linen shirt with the top button open and sunglasses. The lighting is bright and hard, typical of high noon in the Mediterranean. The composition is a medium shot with the sparkling ocean visible in the background. The aesthetic should be luxurious, effortless, and slightly grainy like film.

A seamless 16:9 full-frame composite image divided into four distinct quadrants. **CRITICAL:** The four sections touch each other directly. NO GREY BACKGROUND. NO BORDERS. NO GAPS. The image is filled edge-to-edge with paper details. **Composition:** A split-screen view looking deep into four different paper worlds. 1) **Top-Left (Luckin):** A wide view of a magical paper forest. Blue and white paper clouds and coffee leaves fill the quadrant completely. A white paper stag leaps through the density. 2) **Top-Right (Google):** A wide view of a **"Topographic Map" style paper cavern**. The "G" logo is formed by **hundreds of thin sheets** of Blue, Red, Yellow, and Green paper stacked horizontally. It looks like a sediment canyon or a contour map. Visible paper fibers and sharp cut edges. NO plastic smoothness. 3) **Bottom-Left (Coke):** A wide view of a red paper explosion. The Coke bottle is a **Negative Space Silhouette**—a deep hole void cut through dense layers of red paper. White paper ribbons span across the void. 4) **Bottom-Right (McDonald's):** A wide view of a yellow paper city. Vertical strips of yellow paper (french fries) stand densely packing the frame. The Golden Arches rise from deep within the layers. **Global Material:** Everything is matte cardstock. **Lighting:** Soft, even studio lighting revealing the depth of the paper cuts. **Tech:** Octane render, 8k, --ar 16:9 --stylize 400 --no borders, frames, background wall, isolated objects, 3d plastic, seamless texture

Retelling history through plastic construction blocks. Input Variable: [Thomas Edison] Workflow: Medium Shift: The subject and his laboratory are constructed entirely of high-gloss plastic interlocking bricks (LEGO-style). Context: A “Master Builder” set depicting the Menlo Park laboratory, complete with shelves of brick-built prototypes. Action: The minifigure version of [Thomas Edison] is holding a tiny plastic screwdriver, standing beside a glowing brick-built light bulb assembly. Style: Macro Toy Photography (Tilt-Shift).