Lava Polaroid Flow

A collectible toy figure of a white bunny in a vintage copper diving suit. The helmet faceplate is a glass bubble showing the bunny's face. The suit has tiny barnacles attached. Finish: Metallic copper paint with slight weathering. Standing on a small coral base.

A macro shot of a potted succulent garden. The plants are not real, but made of felt and velvet fabric with visible stitching. They look soft to the touch. The "soil" is made of brown wool balls. Shallow depth of field.

{ "type": "image_generation_prompt", "concept": { "description": "A warm, nostalgic portrait evocative of 1970s fashion editorial on film. The subject has a relaxed, natural pose, illuminated by simulated warm afternoon window light. The image has a distinct analog film grain texture and a rich, earthy color palette.", "mood": "free-spirited, warm, organic", "color_theme": "earth tones: terracotta, mustard yellow, warm browns" }, "subject": { "gender": "female", "identity_preservation": { "use_reference_image": true, "alter_face": false, "notes": "Maintain facial identity exactly. Skin finish should look natural, not overly retouched." }, "pose": { "name": "Relaxed Gaze", "head_position": "slight tilt, looking softly towards the camera", "expression": "gentle, natural smile", "highlight": "warm light catching the texture of the suede" }, "appearance": { "hair": { "style": "loose, natural voluminous curls or waves", "lighting_effect": "soft warm backlighting" }, "clothing": { "shirt": "vintage suede jacket with fringe details over a silk blouse", "fabric": "rich textured suede leather and patterned silk", "details": { "texture": "highly visible suede nap", "layering": "silk scarf loosely tied at neck with paisley pattern" } }, "accessories": "layered turquoise and aged gold necklaces" } }, "camera_settings": { "camera": "Hasselblad 500C/M (Analog Film Emulation)", "lens": "Carl Zeiss Planar 80mm f/2.8", "aperture": "f/4", "iso": "Kodak Portra 400 emulation", "shutter_speed": "1/60s", "framing": "medium portrait, 4:5 vertical", "resolution": "Ultra-HD 8K scan", "focus": "soft but precise eye focus, natural lens vignetting" }, "lighting": { "type": "simulated natural window light (large softbox)", "background": "softly blurred vintage interior wall with wood paneling hint", "effects": [ "warm color cast", "soft shadow transitions", "film grain texture overlay" ] }, "visual_style": { "genre": "vintage fashion editorial", "contrast_level": "medium-low", "tone": "nostalgic, warm", "keywords": ["retro", "70s style", "analog film", "bohemian luxury"] }, "output_goal": "Create an authentic-feeling vintage film portrait, preserving identity while emphasizing the textures of suede and natural hair in warm light." }

A photorealistic 3D cinematic shot inspired by Star Wars: A New Hope. Subject: A chaotic group of small, hooded Jawas utilizing repurposed droid parts to construct a massive 3D bar chart. Action: Several Jawas are welding scrap metal onto the rising data bars, while an R2-unit projects a holographic pie chart in blue wireframe. Environment: The sandy canyons of Tatooine under harsh binary sunset lighting. Materials: Worn textures, oxidized copper, coarse brown fabric, and glowing amber LED eyes. Atmosphere: Industrial sci-fi, dusty, gritty but playful. Render: Unreal Engine 5, 8k resolution, high contrast shadows.

A digital oil-painted bust portrait of a slender young man (late teens/early twenties) with a contemplative, slightly weary expression. He wears a chunky rust-red knit sweater. He has fair skin with warm undertones, a natural flush on cheeks and nose, and dark wavy hair falling messily over his forehead. His large dark eyes look slightly left of the viewer; lips are softly parted. Soft side lighting from the left highlights his features, casting gentle shadows on the right. The background is an abstract, textured mix of muted beige, cream, pale blue, and peach brushstrokes. Style combines realistic facial proportions with impressionistic, heavy-impasto brushwork.

A meticulously crafted, vertically composed artistic Christmas portrait. A real person stands bathed in soft, warm holiday glow, cradling a transparent glass jar close to their face as if holding a gentle star. Inside the jar resides a miniature version of their younger self—the same individual—standing alone within a self-contained, snow-covered microcosm. These two "selves" are not mirror images; instead, their gazes intersect, initiating a silent dialogue between reality and distilled identity. The real figure is illuminated by gentle amber Christmas lights, their radiance dissolving softly into the background like a diffused constellation. The glass surface dances with fragmented reflections, splintering the true visage into layered shards that gradually fade along the jar’s curvature—forming a visual bridge between the outer world and the inner realm. Within the jar, snow is sculpted into evocative, lunar-like contours. Beside the tiny figure stands a solitary bottlebrush tree. The miniature self wears intricately detailed festive attire: woven textures, tufted wool fibers, and the plush tactility of winter garments are rendered with astonishing clarity. A serene luminescence glows from deep within the snow, casting an upward light upon the small figure—as if the snow itself still holds the memory of light. Frost patterns crystallize on the jar’s surface—not random snowflakes, but symbolic constellations echoing the twinkling lights behind the figure. Warm-toned fairy lights wrap around the vessel in abstract spirals, transforming it into a quiet cosmic nucleus. The real person’s expression is contemplative, almost cinematic in its depth. Their breath condenses into a delicate mist along the glass rim, adding a fleeting tenderness to the scene. The entire composition evokes layered universes: the external world lush and warm, the internal world refined, suspended, and sacred. For visual cohesion, costumes and props should remain consistent between the inner and outer figures. Rendered in 8K ultra-photorealistic quality, with masterful artistic lighting, sculptural reflections, and poetic textural detail—this image embodies an intimate, symbolic, and quietly supernatural Christmas aesthetic.

A Grand Canyon landscape where the rocks are layers of glazed donuts and cake. The river at the bottom is blue milk. The sky is cotton candy clouds. Photorealistic food textures, bright noon lighting.

Using the attached photo ( do not change the face ) create a young woman with fair skin, dark hair pulled back into a simple ponytail or low bun, and a slender face. She is wearing a pair of modern, rectangular or slightly cat-eye shaped eyeglasses with a thin, reddish-brown/burgundy acetate frame. The subject is bare-shouldered in all four panels, suggesting the focus is entirely on her face and the eyeglasses. The lack of visible clothing helps eliminate distractions.She wears minimal, natural-looking makeup, including a light lip color (mauve or dusty rose), subtly filled eyebrows, and possibly a light application of eyeliner. The image is divided into a two-by-two grid, creating four distinct portrait shots. Top-Left: Subject faces the camera slightly, with a neutral, thoughtful, or subtly seductive expression, and winks with her left eye. Top-Right: Subject is looking directly at the camera with a subtle smile, winking with her right eye, while bringing her right index finger up to her mouth in a "shushing" gesture. Bottom-Left: Subject is looking directly at the camera with a more serious or intense expression, with her right index finger held over her lips, another "shushing" gesture. Bottom-Right: Subject is looking directly at the camera with a neutral expression, raising both arms over her head with her hands lightly clasped or touching, possibly indicating a stretch or relaxed pose. The background is an extremely plain, seamless studio backdrop in a light taupe or warm beige color. There are no other elements or props. The lighting is soft, even, and flattering, characteristic of studio portraiture. It appears to be diffused light (such as from a large softbox or beauty dish) positioned slightly above and to the front of the subject. Highlights: Highlights are visible on the skin and the reflective surfaces of the eyeglasses. Shadows are very soft, suggesting a low-contrast look, with gentle shading under the chin and around the neck, enhancing depth without being harsh. The overall mood is elegant, stylish, and focused. Camera High-resolution professional DSLR (Canon R-series). Aperture: f/2.8 and f/4.0. Shutter Speed: 1/125 to 1/250 of a second. ISO 100. Lens: 84mm to 100mm. Image Ratio 3:4