Mini Shaq Isometric Figurine

{ "project_name": "Auto_Cinematic_9_Angle_Grid_Generator", "version": "3.0 (Angle & Anatomy Focus)", "instructions_for_ai": { "step_1_analysis": "Analyze the input image for subject identity, lighting (e.g., prism effects, direction), skin texture, emotion, and color palette.", "step_2_inference": "If the input is a close-up, you must logically infer the subject's outfit, body type, and environment based on the style of the face. Maintain strictly consistent character design across all 9 panels.", "step_3_execution": "Generate a 3x3 grid where each panel corresponds to the specific camera definitions below." }, "camera_angle_specifications": { "MCU": "Macro Close Up: Focus intensely on facial details, eyes, or textures. Crop top of head and chin.", "MS": "Medium Shot: Waist or chest up. Standard cinematic portrait framing.", "OS": "Over the Shoulder: Camera placed behind a vague foreground element/shoulder, looking at the subject.", "WS": "Wide Shot: Full body shot. Show the subject's posture, outfit, and relationship with the environment.", "HA": "High Angle: Camera is physically higher than the subject, looking down. Emphasize vulnerability or diminishing size.", "LA": "Low Angle: Camera is physically lower than the subject, looking up. Emphasize dominance or stature.", "P": "Profile: Strictly from the side (90 degrees). Subject looks completely left or right.", "ThreeQ": "3/4 View: Subject turned 45 degrees away from the camera. Classic portrait angle.", "B": "Back View: Camera is directly behind the subject. Seeing the back of the head/body." }, "output_format": { "grid_layout": "3x3", "aspect_ratio": "16:9", "labeling": "Must include white text abbreviations (MCU, MS, etc.) in the top-left corner of each panel." }, "final_prompt_instruction": "Using the provided input image as the absolute ground truth for the character and style, generate a photorealistic 3x3 grid collage. You must strictly adhere to the 'camera_angle_specifications' defined above for each panel. Ensure distinct visual variety between the shots (e.g., a Wide Shot must look significantly different from a Close Up). The lighting and color grading must remain identical to the input source in every single angle.\n\nGrid Order:\nRow 1: MCU, MS, OS\nRow 2: WS, HA, LA\nRow 3: P, ThreeQ, B" }

Do this for Messi A hyper-realistic studio photograph of a male athlete mid-air as if running or jumping, wearing a pastel pink sweatshirt and light pink jogger pants, with soft blue sneakers. Pink powder smoke is exploding and swirling around his body, especially behind him and around his legs, creating a dynamic motion effect. Clean minimal background with a soft gradient from light gray to pale pink. Cinematic lighting, ultra-sharp focus, shallow depth of field, fashion advertising style, high detail, 8k, soft shadows, professional studio photography.

Chest-up portrait of a man with 100% identical facial accuracy to the reference image, same pose and lighting preserved perfectly. The image is split vertically by an uneven torn-paper rip down the center. Left side (Reality): Hyper-realistic portrait with soft indoor lighting, neutral bluish background, subtle analog grain. The subject wears a simple black T-shirt and silver chain. Minimalist environment. Handwritten sticky notes float faintly in the background with barely readable words like “work”, “deadlines”, “emails”. Right side (Inner Monologue): Stylized illustrated version of the same face in a surreal poetry-comic style. Bright pastel background filled with drifting handwritten sentences, floating punctuation marks, open books, ink spills, glowing thoughts, and abstract speech bubbles. Lines are expressive and bold, colors vibrant but harmonious. Overall tone: introspective, creative, emotionally intelligent. Ultra-high-resolution, seamless blending, crisp tear edge.

A very close, intimate candid photograph inside a dark, crowded pub late at night. Camera & framing: The camera is extremely close, at eye level, as if the photographer is sitting nearby but not directly in front of her. The framing is tight and intimate, slightly off-center. Her face is NOT perfectly straight to the camera. Her head is turned subtly to one side (about 10–15 degrees), creating a natural asymmetry. Her gaze meets the camera slightly from the side, as if she noticed someonelooking and slowly glanced back. The composition feels accidental and unplanned, not like a portrait. Blurred silhouettes of other people partially block the foreground on both the left and right edges of the frame. These foreground figures are very dark and heavily out of focus, acting as a soft frame that emphasizes intimacy, not distraction. Very shallow depth of field. Her eyes remain the sharpest point, while the edges of her face gently fall into softness. Subject: A young womansitting quietly at a small table. Her posture is relaxed, natural, and unposed. She wears simple, dark clothing that blends into the shadows. Her hair is loosely tied or softly messy, with a few strands falling naturally around her cheeks and jawline. Face, skin & eyes (highest emphasis): Her face is softly illuminated as if by candlelight slightly below and in front of her. The light is uneven and natural, not perfectly centered. Her skin appears fair, smooth, and luminous, with a gentle,realistic glow — elegant and natural. No over-retouching. Her eyes are expressive and softly glowing, with subtle candle reflections, but they do not stare directly into the lens. The eye contact feels brief, shy, and unintentional. Lighting: Low-key, moody lighting. Her face is clearly brighter than the surroundings, but not evenly lit. Soft shadows remain on one side of her face, adding depth and realism. Environment: A dark, intimate pub atmosphere. Candlelight, faint smoke drifting inthe air. Other patrons remain close but indistinct, their presence felt but never dominant. Color & texture: Deep shadows and warm amber highlights. Muted browns and dark greens. Heavy film grain, dust, subtle scratches. Analog film look, high ISO, late-night atmosphere. Mood: A fleeting, imperfect moment. Like catching someone’s attention for just a second. Not posed. Not symmetrical. Not planned. Quiet, intimate, and unforgettable.

"Double Exposure" portrait. Silhouette of man combined with forest. Trees form hair/beard.

A photographic eye, seen not from the front, but from the side. A small plant emerges from the pupil, like a sprout. The plant is curved because it can't open all the way, blocked by the conjunctiva, which stretches like a film, detaching itself from the iris and sclera.

A vintage patent document for an early motion picture camera (chronophotographic apparatus), styled after late 1800s United States Patent Office filings. The page features precise technical drawings with numbered callouts (Fig. 1, Fig. 2, Fig. 3) showing the front housing, side profile with hand-crank mechanism, and an exploded view of the film transport assembly. Handwritten annotations in fountain-pen ink describe the intermittent shutter, sprocket wheels, and light-tight enclosure. The paper is aged ivory with foxing stains and soft fold creases. An official embossed seal and a deep red wax stamp appear in the lower right corner. A hand-signed inventor’s name and the date 1892 appear at the bottom. The entire image feels like a recovered archival document—authoritative, historic, and slightly mysterious.

Generate a large map-style image that details the plot of [Stranger Things Season 4]