
Reference Images:
A cinematic, ultra-realistic photograph of a woman standing alone on a wet cobblestone street in an old European town. Stone buildings line the narrow street, with warm street lamps glowing softly in misty, overcast weather. The woman wears a dark fitted coat, short skirt, black tights, and brown leather ankle boots, with a small crossbody bag. She is looking slightly to the side, candid and natural, as if caught mid-moment. Moody atmosphere, soft fog, shallow depth of field, natural color grading, subtle film grain, dramatic lighting, 35mm lens, f/1.8, high detail, realistic skin texture, editorial travel photography style.

A single [OBJECT - fractured terrestrial planet] suspended in space, frozen at the moment it splits open along tectonic fault lines. Inside the fracture exists a fully realized miniature [INNER WORLD / STRUCTURE - self-contained planetary interior civilization layered by geology and climate] — carved, layered, and constructed entirely from [OBJECT MATERIAL - planetary rock, compressed sediment, crystal veins, and molten mineral]. Internal elements include [ICONIC FEATURES / MICRO-STRUCTURES - terraced underground cities carved into strata, glowing magma rivers acting as transport arteries, crystalline caverns forming energy cores, inverted mountain ranges, atmospheric chambers with floating ecosystems], arranged with clear spatial logic and physical coherence. Intricate forms, repeating patterns, and emergent architecture grow organically from the break, featuring depth, cavities, negative space, and internal structural rhythm. Hyper-detailed 3D bas-relief fused with fine-art poster design. Material realism emphasized — [MICRO-TEXTURES, WEAR, AGING DETAILS - eroded stone edges, mineral grain fractures, sediment layering, pressure cracks, heat-scorched surfaces], subtle imperfections visible at macro scale. Monochrome or tightly controlled palette derived from [MATERIAL COLOR RANGE / AGED TONES - basalt black, oxidized rust red, ash gray, muted mineral gold]. Isolated object, neutral negative space, museum-grade lighting. All complexity exists strictly inside the fractured volume. Exterior remains clean, minimal, and untouched. Ultra-high resolution, dramatic realism, gallery-poster quality.

Using the attached photo ( do not change the face ) create a young woman with fair skin, dark hair pulled back into a simple ponytail or low bun, and a slender face. She is wearing a pair of modern, rectangular or slightly cat-eye shaped eyeglasses with a thin, reddish-brown/burgundy acetate frame. The subject is bare-shouldered in all four panels, suggesting the focus is entirely on her face and the eyeglasses. The lack of visible clothing helps eliminate distractions.She wears minimal, natural-looking makeup, including a light lip color (mauve or dusty rose), subtly filled eyebrows, and possibly a light application of eyeliner. The image is divided into a two-by-two grid, creating four distinct portrait shots. Top-Left: Subject faces the camera slightly, with a neutral, thoughtful, or subtly seductive expression, and winks with her left eye. Top-Right: Subject is looking directly at the camera with a subtle smile, winking with her right eye, while bringing her right index finger up to her mouth in a "shushing" gesture. Bottom-Left: Subject is looking directly at the camera with a more serious or intense expression, with her right index finger held over her lips, another "shushing" gesture. Bottom-Right: Subject is looking directly at the camera with a neutral expression, raising both arms over her head with her hands lightly clasped or touching, possibly indicating a stretch or relaxed pose. The background is an extremely plain, seamless studio backdrop in a light taupe or warm beige color. There are no other elements or props. The lighting is soft, even, and flattering, characteristic of studio portraiture. It appears to be diffused light (such as from a large softbox or beauty dish) positioned slightly above and to the front of the subject. Highlights: Highlights are visible on the skin and the reflective surfaces of the eyeglasses. Shadows are very soft, suggesting a low-contrast look, with gentle shading under the chin and around the neck, enhancing depth without being harsh. The overall mood is elegant, stylish, and focused. Camera High-resolution professional DSLR (Canon R-series). Aperture: f/2.8 and f/4.0. Shutter Speed: 1/125 to 1/250 of a second. ISO 100. Lens: 84mm to 100mm. Image Ratio 3:4

Minimalist fashion editorial photograph, overhead high-angle selfie perspective, two stylish young adults standing close together. Shot on a wide-angle lens with subtle perspective distortion, heads slightly enlarged, bodies tapering naturally. Both wearing sleek black outfits and narrow black sunglasses. Confident, neutral expressions. Pure white seamless studio background. Soft, diffused studio lighting with minimal shadows. High contrast, sharp focus. Contemporary eyewear campaign aesthetic. Ultra-clean composition, high-fashion realism, magazine editorial quality. 3:4 aspect ratio.

Travis Bickle, profound solitude captured in cinema, hyper-real film still drenched in emotional weight, cold blue hour lighting with dying warmth at the edges, rain-streaked glass creating liquid distortions as city neon smears across the windshield, shallow depth of field emphasizing isolation inside the cab, muted desaturated palette with a single sickly red traffic light accent, slow-motion implied stillness, fine analog grain reminiscent of 1970s existential cinema, lens flares bleeding into darkness, ray-traced reflections in pooling street water, breath faintly visible in the cold night air, negative space dominating the frame, crushing atmospheric pressure, intimate yet distant camera positioning, Vilmos Zsigmond-inspired melancholic cinematography, the weight of unspoken grief.

masterpiece, best quality, photorealistic, ultra-high resolution, vibrant colors, professional MV studio photography, a 3x3 photo grid collage. A collection of 9 glamorous portraits of the same person: a stunningly beautiful K-pop idol in her early 20s. She has large, captivating double-lidded eyes, flawless porcelain skin, and long, dark, voluminous wavy hair. She is wearing an elegant, vibrant red strapless dress. Her makeup is immaculate, inspired by a K-pop music video: shimmering eyeshadow, sharp eyeliner, and glossy, gradient lips. Each grid cell captures a different charismatic expression and pose: 1. **Top-left:** Taking a selfie, holding a phone just out of frame, with a sweet, fan-service smile. 2. **Top-center:** A playful wink with one eye closed and a charming smile. 3. **Top-right:** A surprised expression with wide eyes and an open mouth in an "O" shape, looking adorable. 4. **Middle-left:** A cute pouting face with pursed lips, head tilted slightly, showing her "aegyo" (cuteness). 5. **Middle-center:** A joyful, radiant smile with eyes crinkled shut, exuding pure happiness. 6. **Middle-right:** A mischievous, scrunched-up face, wrinkling her nose playfully. 7. **Bottom-left:** Looking back over her shoulder, playfully sticking the tip of her tongue out. 8. **Bottom-center:** A big, happy, open-mouthed laugh, looking joyfully upwards like a candid moment. 9. **Bottom-right:** A shy, gentle smile while looking away to the side, creating a "first love" feeling. Flawless, bright, and dynamic studio lighting, mimicking a high-budget music video set. Uses a combination of softboxes for a clean base and a subtle key light to add dimension and a glamorous sheen to her skin and hair. Clean, seamless, solid light gray studio background to make the red dress pop. Captured with a high-end portrait lens (equivalent to an 85mm f/1.2), creating a beautiful, creamy bokeh that makes the subject stand out sharply. The palette is rich and saturated, with the vibrant red of the dress as the focal point. The overall mood is charismatic, polished, and full of star quality.

A cheesy 1980s studio portrait. The subject wears a neon windbreaker and has teased hair. The background is the classic "laser grid" school photo background. The lighting is flat and unflattering.

Create a landscape painting in the Post-Impressionist style. The scene is a quiet village at night under a swirling, starry sky. The paint application should be extremely thick (Heavy Impasto), giving the image a three-dimensional, tactile quality. The brushstrokes should be visible, short, and rhythmic, creating a sense of movement and energy in the sky and cypress trees.

A colossal [Durian] fills the frame like an entire world, so massive it feels planetary rather than edible. Tiny humans—microscopic explorers—are climbing, walking, and exploring its surface as if on a legendary expedition. The natural texture of the fruit becomes the terrain: skin turns into cliffs, seeds become monoliths, fibers form bridges, and juice flows like rivers and waterfalls. Some explorers rappel down steep edges, others disappear into glowing fruit caverns where the flesh is exposed. Light passes through the fruit, making it glow from within, creating a surreal, dreamlike atmosphere. Hyper-real macro textures, god-scale perspective, extreme depth of field, cinematic lighting, surreal realism, ultra-detailed, 8K, HDR, global illumination, atmospheric mist, clean background fading into soft haze, no text, no watermark.