Suburban Dollhouse Cutaway

A horizontal split-screen cinematic shot of [New York City Street Corner], seamlessly blending two different eras: [1920s New York] on the left and [Present-Day New York] on the right (default: about 100 years ago vs. present day). On the left side ([1920s New York]): show era-appropriate architecture, interior or environment design, materials, vehicles, and props that clearly belong to that historical period. People wear authentic clothing from [1920s New York], including flapper dresses, bowler hats, suspenders, newsboy caps, and typical items like newspapers, jazz instruments, leather suitcases, or cigarette holders. The overall mood feels nostalgic and historically accurate. On the right side ([Present-Day New York]): show the same [New York City Street Corner] in the modern era, with updated architecture, contemporary materials (glass façades, steel structures, LED signage), modern cars, bikes, and current technology (smartphones, tablets, mirrorless cameras, etc.). People wear contemporary New York street fashion—hoodies, business attire, sneakers, backpacks, coffee cups in hand. In the center: the two eras merge and overlap organically, without a hard dividing line. Elements from [1920s New York] and [Present-Day New York] visually interact: jazz musicians stare at modern street performers, newsboys look confused at smartphones, and old brick storefronts morph into sleek cafés with neon lighting. Classic vehicles fade into modern taxis and rideshare cars, and vintage lamp posts transition into LED streetlights. Make sure the scene is not just a simple left/right comparison but a dynamic time-travel interaction where buildings, clothing, props, and human gestures clearly emphasize the contrast and fusion between the two eras. Photorealistic, 8k resolution, cinematic lighting, wide angle, highly detailed textures, rich sense of time-travel storytelling.

A photorealistic top-down knolling photography shot inspired by Resident Evil 4 inventory screen. Surface: A worn, blood-stained velvet interior of a black attache case. Items: A vintage Mauser pistol (Red9), boxes of green and red ammo, a First Aid Spray can, a mixture of green/red/yellow herbs in pots, and a brown chicken egg. Arrangement: Strictly aligned to an invisible grid, packed tightly with no wasted space. Lighting: Dim, moody candlelight flickering from the side, casting long, dramatic shadows. Texture: Rusted metal, organic leaf textures, cold steel, distressed leather. Camera: 50mm lens, sharp focus edge-to-edge.

Candid street shot: Tokyo night. Woman looking at neon sign. Rain reflections on window. 35mm lens. Teal/Orange grading.

A hyper-realistic cinematic scene set inside a glass-walled high-speed elevator ascending Avengers Tower at night, with the glowing city skyline visible outside. The elevator is absurdly overcrowded, packed with iconic Marvel characters mid-chaos. At the center stands a young man (from the provided photo), looking awkwardly overwhelmed and slightly embarrassed, shoulders tense, eyes darting sideways. He wears a simple black casual T-shirt and clutches a crushed paper coffee cup, its lid half off as if he’s clearly in the wrong place at the wrong time. Surrounding the main character: Iron Man hovers slightly off the floor, helmet open, smirking while checking holographic HUD displays. Captain America stands upright and polite, trying to make room, shield awkwardly pressed against the wall. Thor laughs loudly, holding Mjolnir far too close to the ceiling, sparks subtly crackling. Hulk is squeezed into the back, shoulders hunched, looking confused but oddly calm. Black Widow leans casually against the mirror wall, arms crossed, amused. Spider-Man is stuck upside down in the corner, taking selfies. Doctor Strange conjures a small glowing portal to create “extra space,” bending reality inside the elevator. Rocket Raccoon argues with Star-Lord, while Groot gently presses a button labeled “EMERGENCY.” Ant-Man appears both full-sized and tiny, standing on someone’s shoulder. The lighting is high-end cinematic, with cool city light spilling through the glass walls and warm interior LEDs reflecting off armor, skin, and metal surfaces. Subtle motion blur, realistic reflections, and ultra-detailed textures enhance the realism. The atmosphere is crowded, humorous, chaotic, and cinematic, blending grounded realism with exaggerated superhero absurdity — a frozen moment of pure Marvel mayhem.

A playful 3D caricature of [Elon Musk] riding a small puffy cloud like a hoverboard. Big shiny eyes, rounded cheeks, and exaggerated head proportions. Smooth Pixar-like finish with pastel sky gradients, gentle rim light, and soft volumetric clouds creating depth and charm.

{ "title": "Glazed Donut Glazing Operation", "subject": { "main_element": "Giant fluffy Ring Donut", "orientation": "Lying flat", "details": [ "Golden-brown fried dough texture", "Thick, wet, dripping sugar glaze", "Steam rising from the fresh dough." ] }, "environment": { "setting": "Pastel pink bakery counter", "elements": [ "Trucks carrying liquid sugar", "Workers with mops spreading the glaze", "Ladders leaning against the donut sides" ] }, "action": [ "Pouring glaze from overhead pipes", "Smoothing the sugar coating", "Installing giant rainbow sprinkles like pillars", "Inspecting the dough porosity." ], "style": { "camera_view": "Overhead tilt-shift", "technique": "Food photography macro", "lighting": "Soft, bright, appetizing window light", "theme": "Satisfying and sweet" }, "parameters": { "aspect_ratio": "--ar 3:4", "reference_constraint": "Style must match the miniature macro photography reference" } }

"Selfie" of astronaut in ISS cupola. Earth visible behind. Fisheye perspective.

A classical Greek marble statue of David. The statue is heavily vandalized with bright, fluorescent neon graffiti tags that seem to be glowing and floating slightly off the surface of the stone. Contrast between ancient stillness and modern chaos.