Virtual outfit try-on

Make a 4×4 grid starting with the 1880s. In each section, I should appear styled according to that decade (clothing, hairstyle, facial hair, accessories). Use colors, background, & film style accordingly.

[Credits to https://x.com/AztecaAlpaca] A top-down photograph with a 3:4 aspect ratio. A distinct [ornate copper cezve] suitable for the region, containing [Turkish coffee] presented authentically according to [Istanbul, Turkey]'s traditions, has its center positioned precisely at a golden ratio intersection point (e.g., top-right). The vessel physically overlaps and presses down upon an inner corner of a large, singular painterly illustration block. The main body of this illustration is balanced off-center, weighted towards the corner opposite the mug. Instead of a collage or repeating pattern, the illustration is a unified, continuous scene contained within a flowing, organic, or irregular geometric boundary (not a rigid rectangle). This singular artwork is rendered in the specific painterly style of [Ottoman miniature art] and depicts iconic landscapes or urban scenes of [Istanbul, Turkey]. Crucially, there is a noticeable "margin" of textured negative space (approximately 1/3 of the frame's total width/height) between the outer boundaries of this distinct illustration shape and the physical edge of the square frame. The color palette of the surrounding textured, muted background is elegant and directly derived from the hues of the [Turkish coffee] itself. Placed within the significant negative space is a small, culturally distinct object serving as an auxiliary label (e.g., seal, postmark) with "[İstanbul]" and "[Türk kahvesi]" unobtrusively inscribed in the native language/script. Scattered raw [coffee beans] are arranged artfully around the vessel and the edges of the illustration boundary. Soft, natural, overhead lighting.

A beautiful angel with large white feathered wings, wearing an elegant flowing white lace dress with intricate floral embroidery, sitting gracefully while holding a wrapped Christmas gift box with a golden ribbon, gentle expression and blue eyes, snowy night scene with falling snowflakes, overlooking a sprawling illuminated fantasy cityscape below with warm glowing windows and a massive decorated Christmas tree in the distance, starry night sky, highly detailed digital art, intricate linework, ethereal lighting, festive and magical atmosphere, in the style of Alphonse Mucha mixed with fantasy illustration.

A knolling for Leonardo Danvinci’s work table.

Present a clear, 45° top-down isometric miniature 3D cartoon scene of the iconic scene of (RIPLEY IN THE POWER LOADER BATTLING ALIEN QUEEN) from (ALIENS), with soft refined textures, realistic PBR materials, and gentle lifelike lighting. Create a small raised diorama-style base that includes the most recognisable elements of this scene, along with tiny stylised characters if needed (no facial details). Use a clean solid (SULACO SHIP GREY) background. At the top center, display (ALIENS) in large bold text, directly beneath it show (RIPLEY VS. QUEEN) in medium text, and place the official logo associated with (ALIENS) below the subtext. All text must automatically match the background contrast (white or black). Composition: perfectly centered layout, square 1080x1080, ultra-clean, high-clarity diorama aesthetic.

A transparent Christmas bauble hanging by a red ribbon. Inside, a tiny diorama of the person from the reference reimagined as a cute 3d chibi character. He works at a mini futuristic AI desk with three glowing holo-screens showing neural networks and code. Add tiny plants, a mini coffee cup, soft desk lighting, floating UI icons, and snow-glitter at the base. Warm magical Christmas glow, cinematic reflections on glass, cozy high-end diorama aesthetic. Cinematic lighting, shallow depth of field, soft reflections on the glass, ultra-polished materials, high detail, festive Christmas atmosphere. Whimsical, premium, and heartwarming.

Make a photo that is perfectly isometric. It is not a miniature, it is a captured photo that just happened to be perfectly isometric. It is a photo of a massive brutalist concrete office building, focusing on the repeating pattern of identical rectangular windows reflecting the sunset.

Create an epic, wide-angle cinematic shot of a massive space battle. The frame is filled with hundreds of capital ships exchanging laser fire. Explosions bloom silently in the vacuum, casting dynamic light onto the metallic hulls of nearby vessels. In the background, a colorful, swirling nebula provides a dramatic backdrop, contrasting with the stark machinery of war. The composition should be chaotic but focused, conveying the immense scale of the conflict.